Re: The Estonian Song Festival

Two years of war has taken its toll on Ukraine, and the psychological wounds are becoming ever more apparent.

Estonia, Latvia and Lithuania view the Ukraine war as a threat to their own security.

Masha Borzunova meets a Russian deserter who tells how he went from being a war hero to an ostracised traitor of his country.

Nearly 20,000 Ukrainian children are thought to have been abducted and taken to Russia.

Will the clear victory for Rumen Radev’s Progressive Bulgaria in recent elections mean a turning point for Bulgaria?

The Estonian duo modernising the Talharpa, a traditional Northern European instrument.

A tale of love, murder and oppression – Finland's national opera turns 100!

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

With millions of Lebanese people seeking refuge from Israeli bombing, ARTE Reportage visited the Choobi family, once again displaced by war.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?