ARTJACKING (4/10)

Olympia is a classic Venus with a 19th century twist: she's a prostitute

Absurd images have invaded our social media apps. But is this ‘brain rot’ an interesting aesthetic? Or just mindless content?

A living legend of the American avant-garde in a concert as demanding as it is generous.

Discover the unique artistic world of Madrid-based La Cendejas, a rising star of Spanish pop.

Literature has gone viral and new young authors are big hitters on social media. Is this a passing fashion or a genuine cultural revolution?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

In the 17th century, many Dutch women painters excelled at depicting the natural world in their art.

How can deconsecrated churches be put to good use? Twist travels across Europe to discover how former places of worship are being transformed.

What does hair symbolise in the visual arts, from the 15th century to the present day?

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?